La main humaine, flexible, mobile et sensible, est un élément fascinant et unique de la nature. Sa forme et sa fonction pratique et sociale ont inspiré d'innombrables artistes à travers l'histoire. Ce livre explore les représentations de la main humaine et du gant comme accessoire de prédilection, dans l'art allant du XVIIe siècle à nos jours. Richement illustré, il offre un panorama de périodes et de médias tels que le dessin, la gravure, la peinture, la vidéo et la sculpture qui démontre le pouvoir créatif et métaphorique de la main humaine en tant que motif dans l'art. Les essais explorent la symbolique riche et variée entourant les mains et les gants et jettent en particulier un nouvel éclairage sur l'oeuvre du peintre expressionniste autrichien Oskar Kokoschka (1886-1980).
Après un premier volet en 2016 consacré aux chefs-d'oeuvre dessinés des collections, le Cabinet cantonal des estampes au musée Jenisch à Vevey (Suisse) dévoile ses pièces maîtresses, signées Dürer, Goltzius, Callot, Rembrandt, Castiglione, van Ostade, Edelinck, Tiepolo, Canaletto, Goya, Corot, Bresdin, Carrière, Bonnard, Vuillard, Picasso, van Velde, Yersin, Lichtenstein, Raetz et bien d'autres. Articulée selon les techniques de l'estampe, la présentation des plus belles feuilles conservées à Vevey revisite d'une manière subjective l'histoire de cette technique de gravure.
Swiss surrealist artist HR Giger (1940-2014) achieved international fame in 1979 for designing the fantastic creatures and eerie environments that terrified moviegoers in Ridley Scott's science fiction film Alien. Yet before these iconic creations made him a celebrity and won him an Oscar for visual effects, Giger was already highly regarded in the international art world for his unique freehand painting style and biomechanical dreamscapes.
HR Giger: The Oeuvre Before Alien 1961-1976, first published in 2007 and now becoming available again in a new edition, is the only book to date to document the artist's lesser known, but no less impressive, early work. This lavishly illustrated volume traces Giger's career from his education as an architect and industrial designer at the Zurich College of Art to the development of his ink drawing and oil painting technique and his eventual breakthrough as one of the foremost artists of the fantastic realism school. Featuring many unpublished or rarely available early paintings and drawings, and accompanied by an essay by noted art historian Beat Stutzer, this volume juxtaposes Giger's paintings with works by his predecessors, including Ensor, Fuseli, Goya, and Piranesi.
HR Giger: The Oeuvre Before Alien illuminates the mind of a visual genius whose first artistic experiments were decades ahead of their time.
Le Musée Jenisch Vevey a décidé de mettre les arbres à l'honneur. Ce projet vise à poser un regard poétique sur ces magnifiques représentants du monde végétal. À travers le motif de l'arbre, le public est amené à s'interroger : Pourquoi l'arbre fascine-t-il autant ? Comment les artistes l'ont-ils représenté dans le passé ? Comment le font-ils aujourd'hui ? Cette parution, qui donne à voir plus de 140 illustrations, est avant tout un ouvrage poétique, qui vise à exalter la beauté de l'arbre, qu'il soit dessiné, gravé, peint, sculpté ou encore photographié. Parmi les nombreux artistes exposés : Pierre Alechinsky, Miriam Cahn, Alexandre Calame, Paul Cézanne, Jean-Baptiste Camille Corot, Gustave Doré, Albrecht Dürer, Valérie Favre, Ferdinand Hodler, Barthélemy Menn, Giuseppe Penone, Rembrandt Harmensz van Rijn, Paul Signac, Félix Vallotton, Uwe Wittwer, Robert Zünd.
A selection of Werner Bischof's restored early color images.
Swiss photographer Werner Bischof (1916-54) is best known for his impressive black-and-white images. Far too little is known of Bischof's early color photographs, comprising studio work in fashion and advertising photography as well as reportage from war-damaged European cities. For these, Bischof used various types of cameras, including a Devin Tricolor, an elaborate one-shot color separation device. Some 200 of Bischof's Devin Tricolor negatives have been restored and a selection of them published in this book for the first time.
The beautifully illustrated volume is fascinating not only from a photo-historical perspective; even these early color images reveal Bischof's outstanding, sensitive aesthetic that characterizes his entire oeuvre. Over one hundred color plates are supplemented with texts by Clara Bouveresse, Peter Pfrunder, and Luc Debraine.
Ce livre explore pour la première fois de manière exhaustive la fascination de Hannah Hoch (1889-1978) pour le cinéma et la culture visuelle de l'ère industrielle moderne. Couvrant l'ensemble de sa carrière, il démontre comment son travail a évolué dans un champ de tension entre expérimentation artistique, créations commerciales et appropriation politique. Un texte sur le photomontage de l'artiste, écrit en 1948, et un texte-collage sur l'histoire du montage, dans lequel s'expriment des figures de renom du modernisme et de l'avant-garde, complètent ce volume.
Ce livre en français présente un dialogue entre le célèbre architecte Peter Zumthor et l'historienne de l'architecture Mari Lending, qui porte sur la signification du temps, de l'espace, de l'Histoire et du souvenir dans le contexte du paysage et de l'architecture, entre présent et passé. Il est accompagné d'une sélection de photographies de Hélène Binet, qui appuie ce propos en s'inspirant des abords de l'Acropole à Athènes.
Le Corbusier's chapel Notre-Dame-du-Haut in Ronchamp is arguably the most famous modern religious building and a UNESCO world heritage site. It has been photographed by millions of people, including some of the most distinguished architectural photographers. Austrian artist Siegrun Appelt took an entirely new approach to look at the iconic structure, distinct from all her famous predecessors. Appelt focuses with utter concentration on details, creating compositions of highest sensitivity and precision. Her images highlight the place's spatial structure and lines, Le Corbusier's ingenious direction of light, as well as surfaces and passages. They can be read as hints to these details and at the same time invite a conclusion from detail to the whole.
This publication includes a dialogue between Claudia Kromrei and Otto Kapfinger, in which they investigate the potential of photography to show Le Corbusier's means of expression and discuss the visualisation and perception of material and immaterial elements of this icon of 20th-century architecture.
Ce catalogue en français accompagne une exposition consacrée à la sculpture de Matisse. D'abord présentée à Zurich puis au musée Matisse à Nice au printemps 2020, cette rétrospective est axée sur la méthode qu'utilisait Matisse pour réaliser presque toutes ses sculptures les plus importantes : il commençait par un modelage d'aspect naturaliste pour abstraire de plus en plus ses figures jusqu'à une stylisation radicale. Mais il conservait les états décisifs comme sculptures autonomes, dévoilant ainsi les étapes du processus de création. Les différentes sources d'inspiration de Matisse - nus photographiques, modèles antiques et africains - ainsi que des photographies montrant l'artiste travaillant la sculpture complètent cette étude.
Aenne Biermann (1898-1933) was one of the leading figures of photography in the 1920s and 1930s. Today, she is considered one of the most important avant-garde photographers of the 20th century. In just a few years of practice, the self-taught artist became a well-known representative of German photography, participating in almost all the important exhibitions of her time. She captured plants, objects, people, and everyday situations in pictures that have to this day lost none of their allure and poignancy. By means of clear structures, precise compositions of light and contrast, as well as narrow framing, she drew a special kind of poetry out of the motifs of her personal environment and developed her own, distinctly modern pictorial style.
This is the first substantial new book in English on this exceptional artist since the 1930s, published to coincide with a major exhibition at the Tel Aviv Museum of Art in fall 2021. The large-format volume features some 100 of Aenne Biermann's photographs in colour and duotone reproduction, several of them published here for the first time ever. This impressive selection is complemented by essays on Biremann's photography in art-historical context and on selected aspects of her oeuvre.
Text in English and Hebrew.
An exhibition featuring the work of Aenne Biermann is taking place at the Tel Aviv Museum of Art from 5 August 2021.
Situated at around 3,300 ft above sea level in the mountains of the Swiss Jura region, the town of La Chaux-de-Fonds experienced significant economic development towards the end of the 19th century, which went hand in hand with much building activity. There are few other places in Switzerland in which the influence of art nouveau is so clearly visible. Significantly inspired by the painter and architect Charles L'Eplattenier (1874-1946), and his art and decoration course at the local school of applied arts in 1905, a local variant of art nouveau developed, the so-called Style sapin or "fir style." Protagonists of this movement accorded special importance in their works to the use of symbolic motifs that reflect the nature of the Jura landscape and especially its fir forests.
Open House discusses the topic of temporary housing in architecture, art, design and humanitarian aid. The phenomenon of tiny houses fascinates and is currently trending in various media. In times of large migratory movements from poor to rich countries there is also an urgent demand for temporary housing in many places.
Eighteen international authors explore the intentions behind such constructions, their underlying principles and the lifestyle they convey. Their contributions reveal how these concepts relate to the very notion of habitat, to space, to pragmatic criteria, as well as to the time in which they are elaborated. Moreover, addresses various issues of individual housing through the featured original installations, and spatial experiments.
Open House is published in conjunction with a two-year research project and an open-air exhibition of the same title in Geneva in summer 2022. Book and exhibition comprise around 40 designs by artists, architects, designers, architecture schools and research institutions, as well as humanitarian organisations, such as Andrea Zittel, EPFL Laboratoire ALICE, Global Shelter Cluster, Gramazio Kohler Research at ETH Zurich, Jean Prouve, John Armleder, Kengo Kuma, Kerim Seiler, Matti Suuronen, Maurizio Cattelan and Philippe Parreno, the UNHCR, and others.
Dans son célèbre texte Stranger in the Village (Un étranger au village), l'écrivain américain James Baldwin évoque son expérience du racisme dans la Suisse des années 1950. Aujourd'hui, les mots de Baldwin résonnent toujours, et continuent d'inspirer de nombreux artistes. Encore brûlants d'actualité, ils tendent un miroir à notre société. Ce catalogue, qui accompagne une exposition collective à la Kunsthaus de Aarau, en Suisse, aborde le thème de l'appartenance et de l'exclusion raciale à travers des oeuvres actuelles signées par des artistes de Suisse et de la scène internationale.
New edition of the comprehensive monograph on celebrated architect Peter Zumthor, covering his entire career until 2013
Features all key buildings and projects through photographs, plans, drawings, and texts written by Peter Zumthor
The first edition of 2014 won the 2014 Filaf d'argent (Festival International du Livre d'Art & du Film) and the 2014 DAM Architectural Book Award 2014
«Few architects are as patient and exacting as Peter Zumthor, and this monograph captures the materiality and intangible spirit of his work in drawings, photographs, and his brief texts. It was an inspired idea to divide this rich concentration of work into five slim volumes, rather than cram it into one of the mega-publications that entomb other celebrated architects. Each is a delight to hold and page through, and a model of Swiss design from the gray silk covers to the crisp typography and spacious layouts. Rarely has haptic architecture been better expressed in print.» - Michael Webb, The Architects Newspaper, on the 2014 edition
«With the same rigor and poetry of his architecture Zumthor offers us his opera omnia. But so laconic is he that who knows if this is the last.» - Eduardo Prieto, ArcitecturaViva, on the 2014 edition
Peter Zumthor, 2009 Pritzker laureate, is one of the best-known and most acclaimed architects of the present day. Widely admired for his precision and thoroughness, he creates buildings that are responsive to their location and function, and that are remarkable both for their materials and the atmospheric quality of the spaces they enclose.
This five-volume survey of his work until 2013 features 43 buildings and projects, including some that have never been published before. On 856 pages with more than 750 photographs, plans, sketches, drawings and watercolours, and with texts written by Peter Zumthor himself specially for this monograph, it documents a wide range of projects from several world-famous buildings to some that never left the drawing board. The first edition of 2014 won the 2014 Filaf d'argent (Festival International du Livre d'Art & du Film) and of the 2014 DAM Architectural Book Award.
Italian-born American artist Harry Bertoia (1915-1978) was one of the most prolific, innovative artists of the post-war period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a kind jewellery, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavour, but is united throughout by a sculptural approach to making and an experimental embrace of metal.
Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first U.S. museum retrospective of the artist's career to examine the full scope of his broad, interdisciplinary practice, and feature important examples of his furniture, jewellery, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalogue of the artists numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture and what Bertoia's sculptural things, when taken together, say about the fluidity of visual language across culture, both at mid-century and now.
The complex, enigmatic work of Meret Oppenheim (1913-1985) has lost nothing of its fascination to the present day. Much has been written about her career and her art. Yet very little is known about the real person Meret Oppenheim, who always remained secretive about herself and banned publication of any personal documents until 20 years after her death.
In 1958, Oppenheim put together an album that she titled Von der Kindheit bis 1943 (From Childhood to 1943). It has a dual identity of a diary and a work of art in itself. It assembles photos, objects, notes and brief texts, as well as ideas and concepts for art works, and offers very personal insights into Oppenheim's private life and thought. This book features the entire album in true-size colour reproductions and, for the first time ever, with the full text translated into English. This is supplemented with a previously unpublished autobiographical text by Oppenheim, which she wrote in 1957-58 on the request of the French scholar Yves Poupard-Lieussou for his never completed project of a bio-bibliographical history of Dada and Surrealism.
An introduction by the editors Lisa Wenger and Martina Corgnati rounds out this beautiful book that offers entirely new perspectives on one of the most distinguished woman artists.
Artiste de renommée internationale, célèbre pour ses films et ses installations, UIla von Brandenburg pratique intensément le dessin. Ce livre constitue la première monographie sur ce pan moins connu et néanmoins fondateur de son travail.
Une monographie consacrée à l'artiste américaine Kiki Smith. Méditant sur le corps humain, sa physicalité et sa matérialité, elle construit des oeuvres fragiles, sur papier, qui rappellent la peau humaine. En plus de ces gravures et oeuvres sur papier, elle développe et crée des sculptures aux résonances féministes qui explorent la fragilité des corps et investissent un monde plein d'étrangetés. Présentant toute la diversité de son oeuvre, cette monographie traite de la dimension sensuelle des travaux de l'artiste, en même temps qu'elle présente ses oeuvres de jeunesse et l'évolution de ses démarches philosophiques.
Grand théoricien de l'architecture du XXe siecle, Bruno Reichlin étudie ici les fondements théoriques de l'architecture du Corbusier et la nature des différents batiments réalisés. Rassemblant plus d'une dizaine d'essais rédigés durant quarante ans, cet ouvrage étudie des bâtiments iconiques de l'architecte Suisse, tel que la Villa La Roche, les villas Savoye et Mandrot, le Cabanon ou encore le Carpenter Center for Visual arts à Harvard.
Un aperçu global des quelque 600 oeuvres sur papier de Ferdinand Hodler données par le collectionneur Rudolf Schindler au Musée Jenisch de Vevey. Du rapide croquis à l'étude d'après modèle, l'ensemble permet d'appréhender les processus créatifs de l'artiste et témoigne du rôle capital que le dessin joue dans son art.
L'art créé dans le cadre des institutions psychiatriques connaît un intérêt sans précédent, nous faisant considérer d'un nouvel oeil cet « art des fous », d'une part comme une forme d'art à part entière et d'autre part comme une ouverture vers une meilleure compréhension de ses maladies. Ce livre est l'aboutissement d'un projet mené par l'Université des Arts de Zurich qui documente la production artistique des asiles et hôpitaux psychiatriques à travers la Suisse au tournant du XXe siècle. On y découvre des oeuvres extrêmement variées, réalisées avec passion et détermination, tout en faisant preuve de techniques artistiques innovantes. Ces oeuvres défient notre compréhension et notre vision de la maladie mentale en définissant de nouveaux contours à ce que nous considérons comme art.
Le photographe Tomas Wüthrich a grandi dans une ferme à Kerzers, dans le canton de Fribourg. Lorsque la ferme a cessé d'être exploitée, il a immortalisé avec son appareil les douze derniers mois de labeur quotidien de ses parents et toute la phase d'arrêt de la ferme : signature du contrat avec le nouveau gérant, enlèvement des vaches, dernier grand nettoyage dans la grange vide. Ces images témoignent d'une proximité que l'on ne voit que rarement ainsi. Ce sont des photographies en noir et blanc qui montrent un destin individuel représentatif de l'extinction collective des zones rurales et des bouleversements qui chamboulent l'agriculture suisse depuis de nombreuses années. 73 photographies ont été ici minutieusement sélectionnées et agencées. Peter Pfrunder, directeur de la Fotostiftung Schweiz, inscrit historiquement cette série dans le domaine de la photographie rurale. Le journaliste Balz Theus quant à lui éclaire les changements structurels dans l'agriculture et donne un aperçu intime de la vie des parents de Wüthrich à travers des extraits de leur entretien.
